애처일기, 동심, 2007,

애처일기, 동심, 2007,

 

How many places could I and my traveling companions appear in and disappear from without actors and actresses notice, where only the concerned persons did know? In which scene were there some mentions from actors and actresses about the appearance and disappearance of I and my traveling companions because of lots of the appearance and disappearance of I and my traveling companions without any previous notice? What kinds of words were communicated among the concerned peoples? In which places could I say about some scenes which are some of the movie and what was the response of my traveling companions about my conversations about the scenes and what was the reason of the response of my traveling companions,,,?

 

If someone can really see the scenes related to the actions of The Child’s Mind in the movie in the similar places which the movie production is related to, is it really wonderful imagination or advanced movie screening in the sky without screen for something? What kind of words came from my traveling companions, when I said about the scenes related to the actions of The Child’s Mind in the movie in the similar places which the movie production is related to? And how could I and my traveling companions appear in the movie production places considering my social careers and working days and working times, especially almost every day’s night duty?

 

 

제작국가 : 일본

개봉일 : 2007.04.12

장르 : 드라마/로맨스/옴니버스

상영시간 : 72 분

등급 : 청소년 관람불가

감독   토미호카 타다후미  -

출연   나카하라 쇼코  후지사와 요코 /   사이토 아유무  후지사와 신이치 /  

원작   시게마츠 기요시  -  

 

줄거리

 

평범한 단지에 사는 평범한 주부, 요코. 특별히 불만은 없지만 남편 신이치와의 섹스도 습관적일 뿐으로, 지루한 일상을 보내고 있다. 외아들 쥰이치는 누드 잡지를 숨겨 놓거나 성에 눈뜨기 시작하는 나이라 요코는 마음이 복잡하다. 중학교 입시를 앞둔 쥰이치가 학원의 설날합숙에 들어가기 전에 뜻밖의 말을 꺼낸다. 「설날에 어디든 가지 그래?」. 갑자기 아들이 빠진 설날을 보내게 된 요코와 신이치. 이미 인생의 절반을 산 부부가 둘만 있게 되었을 때 취한 행동은…?